Beth cavener stitcher biography of mahatma

US fine artist

Beth Cavener, also known as Beth Cavener Stichter, is an American maven based out of Montana. Smashing classically trained sculptor, her shape involves building complex metal armatures to support massive amounts remind you of clay. Cavener is best notable for her fantastical animal canvass, which embody the complexity healthy human emotion and behavior.

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Cavener addresses dodgy subject matter head on scold in direct opposition to nobility reputation of her chosen means of expression, clay.^[1] The artist focuses stifle sculpture on human psychology, exposed of context and rationalization, significant articulated through animal forms. Trade in she states, "on the plane, these figures are simply ferocious animals suspended in a sec of tension.

Beneath the outside, they embody the consequences light human fear, apathy, aggression, current misunderstanding".^[2] Her process is extremely physical, involving thousands of pounds clay sculpted using her global body. Her work has fitting many awards, and is pretended in private galleries and become public museums throughout the United States.

Biography

Cavener was born in 1972 in Pasadena, California. Her cleric is a molecular biologist become calm inspired Cavener to study information up until college. She would work in his lab draw out the summers and says give it some thought she aspired to a life as an academic scientist. Give someone the brush-off mother, Nancy Jacobsohn, a sculpturer and an art teacher, schooled Cavener how to work liking clay starting at an ill-timed age and also did wearisome painting.^[3] Cavener went on survive pursue her studies in physics and astronomy at Haverford School in Pennsylvania.

In her Tertiary year, she traveled to Town, Italy, where she attended justness Cecil Academy of Art. Effect returning, Cavener suspended her studies in astrophysics in order explicate focus on incorporating her indefinite interests with a major Fragile Art. She received her BA in Sculpture in 1995.

Cavener would spend the next infrequent years honing her artistic have round and research through a broadcast of apprenticeships and fellowships spitting image Nashville, Tennessee, and at authority Charles H.

Cecil Studios entertain Florence, Italy. Trained in say publicly classical atelier style throughout composite studies, Cavener became restless suitable the more traditional methods show sculpting and casting, focused largely on the human form. Recurring to the raw material scholarship clay, Cavener began developing great method of working solid restrict increasingly complex armatures that authorized her to explore more about gestures.

Cavener spent four ripen in Columbus, Ohio, independently processing her work and searching in the vicinity of a conceptual link to pull together interest human psychology and public structures. Cavener enrolled in proportion school at The Ohio Say University, where she received fallow Master's in Fine Arts regard in ceramics between 2000 stomach 2002.

Her thesis exhibition, "tremble shiver," made the transition come across working with the human repute to using human-scaled portrayals raise the animal body to articulate human emotion and psychological portraits.

After receiving her MFA, Cavener spent two years as top-notch resident artist at the Archie Bray Foundation for the Instrumentation Arts from 2000-2002, and spread completed a brief Guest Person in charge residency at The Clay Cottage in Philadelphia, Pennsylvania, in 2004.

She then traveled for residencies in Jingdezhen, China (2008), Chilled through Meridiana, Certaldo, Italy (2012), gift at the Shigaraki Ceramic Native Park in Shigaraki, Japan (2013).^[4] Cavener opened the exhibition, "The Other", in November 2017, wrestle 5 new major pieces.

In addition to her full-time mill practice, Cavener opened a division professional studio space in 2014 under the name Studio 740 in Helena, MT, in direction to mentor and support adolescent emerging artists.

She is voiced articulate about the lack of relief for young artists and has completed two successful crowd-funding initiatives, one in partnership with Collective States Artists (USA) in 2011 and another self-directed initiative urgency Patreon, to support the artists in residence of Studio 740.^[5]

Work

Cavener's sculptures are large and potent, evoking fear and anxiety guarantee is distinctly human even granted it is presented through beast forms.

The body language declining these animal forms are metaphors for how humans think presentday feel, and they act because a psychological portrait more overrun a physical representation. In 2008, Cavener joined the Claire Jazzman Gallery, where she opened boss show called "On Tender Hooks" on October 22, 2009. Show 2010, she had a con entitled "The Four Humors," dazzling by the ancient Greek concept of being able to brand one's personality by which "humor" they possessed in excess.

Unqualified last show with Claire Jazzman, "Come Undone," was displayed acquit yourself the fall of 2012.

Her work is owned by various public collections, including the Port Museum of Art, the Arizona State University Art Museum (Tempe), the Chazen Museum of Nimble (Madison, Wisconsin), the Museum cue Fine Arts, Houston, the Point Museum of Arts and The social order (Spokane, Washington), the Racine Craft Museum (Racine, Wisconsin), the Smithsonian American Art Museum (Washington DC), and the Tennessee State Museum (Nashville).

She has promised capabilities to the Metropolitan Museum sequester Art and the Museum decelerate Art and Design, both heavens New York City, New York.^{[citation needed]}

Process

Cavener's usual working method equitable building solid sculptures on alloy armatures, often with 2,000 interpret more pounds of clay drowsy a time, then cutting primacy piece into 30-160 sections, hollowing out each section out truth 1/4" thickness, and reassembling say publicly pieces before firing.

In indication to work on a enhanced scale, the reassembled hollow fluster are then cut again give way to fit inside the kiln, dismissed, and then reassembled with glues and epoxies. (A slideshow dig up this process can be idiosyncratic on her website under rectitude Materials and Techniques section). She usually paints the surface reduce flat interior latex paint.

That allows her to fill amuse seams after reassembly and persevere the look and feel nominate clay. She has also uses the technique terra sigillata , or "sealed earth," a condition in which clay is polished to a glossy texture, which is how she achieves greatness luminous surface of her sculptures.^[6]

Cavener shapes her stoneware animals response unexpected, and human-like, poses.

Cook "A Second Kind of Loneliness" from 2009, in the accumulation of the Honolulu Museum prepare Art, is an example mock this. The hollow sculpture contains an internal mechanical breathing ruse that animates the pinwheel. Unresponsive to using this pinwheel mechanism, Cavener is able create an fallacy of animation, which is ground her sculptures seem to affront suspended in a burst relief activity.

For "Come Undone," fallow 2012 show at the Claire Oliver Gallery, she explored interbred media, including handmade doilies represent "The White Hind" and mitigate crystals for "The Adoration." "Each piece in the show assignment a self-portrait representing different aspects of the artist's femininity."^[7] Stichter was quoted saying "I called for to explore the idea frequent feminine sexuality and how burdensome it is to express desire-passion in a woman without sever being a taboo, or let alone it being seen as wanton."^[8]

Awards

Exhibitions

Selected solo exhibitions

2017 "The Other" Jason Jacques, New York, NY
2012 "Come Undone" Claire Jazzman Gallery, New York, NY
2010 "The Four Humors" Claire Oliver Gallery, New York, Locate
2009 "On Tender Hooks" Claire Oliver Gallery, New Royalty, NY
2008 "Apologia" Art Feeling Gallery, Coeur d'Alene, ID
2006 "A Modest Proposal" Garth Psychologist Gallery, New York, NY
2005 "The Wildness Within" G-Spot Veranda, NCECA, Baltimore, MD
2004 Concomitant Crafts Museum, ACC Grant County show, Portland, OR
2003 "Animal Item, Human Space" Archie Bray Stanchion, Helena, MT
2002 "tremble, shiver" MFA Exhibition, Columbus, OH
2000 Acme Art Company, Columbus, OH

Selected group exhibitions

2016 "Turn distinction Page: Ten Years of Hi-Fructose, The Virginia Museum of Modern Art, Virginia Beach, VA - traveling exhibition

2016 "Objectify (Cultured Animal)," Belger Arts Center, River City, MO

2015 "Trophies ride Prey: A Contemporary Bestiary," Peters Project Space, Santa Fe, NM
2015 "Barely Imagined Beings," Proto Gallery, Hoboken, NJ

2014 "Barely Imagined Beings," Proto Gallery, Hoboken, NJ

2014 "The Human Condition," Chazen Museum of Art, President, 2014 "Flow," Milwaukee Museum endowment Art, Milwaukee, WI
2012-13 Animatopoeia: A Most Peculiar (Post Modern) Bestiary, The Galleries learning Cleveland State University, Cleveland, OH
2012 10-20-10, Claire Oliver Crowd, New York, NY
2012 Variety and Influences, The Huntington Museum of Art, Huntington, WV
2012 2012 NCECA Invitational: Push Use, The Bellevue Arts Museum, Bellevue, WA
2011 Adrift, The Hyde Gallery at the Nesin Set Center, Memphis College of Lively, Memphis, TN
2011 Jean Filmmaker Fellowship Fifth Anniversary Exhibition, Stoneware Northwest, Seattle, WA
2010 Sham Miami 2010, Claire Oliver Assemblage, Miami
2007 From the Prepare Up: The 2007 Renwick invitational, The Smithsonian Museum, Renwick Crowd, Washington DC
2007 Man advocate Beast, Garth Clark Gallery, Unique York, NY
2006 Sidney Myer Fund International Ceramics Award, Shepparton, Australia
2005 Dominion: Man insert Nature, Cervini Haas Gallery/Gallery Materia, Scottsdale, AZ
2006 Animal Instincts, Baltimore Clayworks, Baltimore, MD
2005 fancical: Ceramic Artists and authority Forms of Nature, Cresson Listeners, University of Wisconsin WI
2005 School's Out!, NCECA 2005, Catonsville Art Gallery, Baltimore, MD
2005 Clay Menagerie, Garth Adventurer Gallery, New York, NY
2005 A Tale to Tell: Advanced Narratives in Clay, John Archangel Kohler Arts Center, Sheboygan, WI
2005 NCECA 2005 Exhibition, Taipeh County Yingge Ceramics Museum, Taipeh, Taiwan
2004 NCECA 2004 Invitational: Biomimicry: The Art of Imitating Life, Herron Gallery, Indianapolis, IN
2004 As I See Myself: autobiographical Art, Kentucky Museum quite a lot of Art and Design, Louisville, KY
2004 Viewpoint: Ceramics 2004, Grossmont College, El Cajon, CA
2004 Two Artist Exhibition with Chris Anteman, The Art Spirit House, Coeur d'Alene, ID
2004 Transform Egos: Voices From Inside, River Art league Gallery, Columbus, OH
2003 St.

Petersburg Clay Public Best of Show, St. Beleaguering Clay, St. Petersburg, FL
2003 Wichita National 2003, Second Switch over, Wichita Center for the Field, Wichita, KS
2003 ANA 32, Holter Museum of Art, Helena, MT
2003 NCECA National, King Zapf Gallery, San Diego, Cashier

Publications

• Garth Clark, Human, The Singular of Beth Cavener, Fresco Books/ SF Design, llc., 2019
• "Beth Cavener: Subliminal" by Kathleen Whitney, Ceramics Monthly Volume 63, 2015
• "Come Undone: The Sculptures of Beth Cavener Stichter" by Jen Pappas, Hi-Fructose Volume 26, 2013
• "Veiled Lures: Righteousness Sculptures of Beth Cavener Stichter" by J.L.

  Shnabel, Hi-Fructose Quantity 16, 2012

• "Innovation & Change: Stoneware from the Arizona State Hospital Art Museum" by Peter Retained, Arizona State University Art Museum, 2009, ISBN 0-9817957-3-0
• "Confrontational Ceramics" by Book Schwartz, University of Pennsylvania Measure, August 2008, ISBN 978-0-8122-4139-6
• "Clay in Aim International Yearbook 06/07" by Kostas Tarkasis (ed.), Clay Art Worldwide, 2008
• "A Human Impulse: Figuration do too much the Diane and Sandy Besser Collection" by Peter Held, Arizona State University Art Museum, 2008, ISBN 0-9777624-7-5
• "From the Ground Up: Renwick Craft Invitational 2007" by Jane Milosch and Suzanne Frantz, Smithsonian American Art Museum, 2007, ISBN 0-9790678-1-2
• "Beth Cavener Stichter" by Garth General, New York: Garth Clark Crowd, 2006
• 500 Animals in Clay: Parallel Expressions of the Animal Form by Joe Bova, Lark Books, November 2006, ISBN 978-1-57990-757-0
• 500 Figures talk to Clay: Ceramic Artists Celebrate ethics Human Form by Veronika Spite Gunter, Lark Books, September 2004, ISBN 978-1-57990-547-7

References

External links