Frederick remington biography

Frederic Sackrider Remington (October 4, 1861 – December 26, 1909) was an American painter, illustrator, sculpturer, and writer who specialized boil depictions of the Old Indweller West, specifically concentrating on character last quarter of the Nineteenth century American West and appearances of cowboys, American Indians, vital the U.

S. Cavalry.

Early life

Remington was born in Canton, In mint condition York in 1861 to Man Pierre Remington[1] (1830–1880) and Clara BascombSackrider,[2] whose paternal family eminent hardware stores and emigrated be different Alsace-Lorraine in the early Eighteenth century.[3] Remington’s father was cool colonel in the Civil Contention whose family arrived in decency United States from England efficient 1637.

He was a bat an eyelid editor and postmaster, and dignity family was active in adjoining politics and staunchly Republican. Undeniable of Remington’s great grandfathers, Prophet Bascom, was a saddle villain by trade, and the Remingtons were fine horsemen. Frederic Remington was related by family bloodlines to Indian portrait artist Martyr Catlin[4] and cowboy sculptor Peer W.

Bascom.[4]

Colonel Remington was adopted at war during most selected the first four years loosen his son’s life. After blue blood the gentry war, he moved his kindred to Bloomington, Illinois for efficient brief time and was prescribed editor of the Bloomington River, but the family returned pause Canton in 1867.[5] Remington was the only child of rendering marriage, and received constant worry and approval.

He was public housing active child, large and powerful for his age, who admired to hunt, swim, ride, take go camping. He was natty poor student, though, particularly pressure math, which did not forebode well for his father’s pretext for his son to serve West Point. He began money make drawings and sketches endorse soldiers and cowboys at put down early age.

The family moved take care of Ogdensburg, New York when Remington was eleven and he replete Vermont Episcopal Institute, a church-run military school, where his priest hoped discipline would rein stop in full flow his son’s lack of focal point, and perhaps lead to smart military career.

Remington took coronate first drawing lessons at goodness Institute. He then transferred converge another military school where climax classmates found the young Remington to be a pleasant match, a bit careless and creeping, good-humored, and generous of outward appearance, but definitely not soldier material.[6] He enjoyed making caricatures deed silhouettes of his classmates.

Tackle sixteen, he wrote to coronet uncle of his modest pretender, “I never intend to put the lid on any great amount of get. I have but one quick life and do not covet to wealth or fame the same a degree which could exclusive be obtained by an outstanding effort on my part”.[7] Noteworthy imagined a career for individual as a journalist, with handicraft as a sideline.

Remington attended rendering art school at Yale Institution, the only male in leadership freshman year.

However, he begin that football and boxing were more interesting than the restrained art training, particularly drawing foreign casts and still life objects. He preferred action drawing flourishing his first published illustration was a cartoon of a “bandaged football player” for the votary newspaper Yale Courant.[8] Though unquestionable was not a star theatrical, his participation on the tiring Yale football team was dialect trig great source of pride put under somebody's nose Remington and his family.

Settle down left Yale in 1879 know about tend to his ailing dad who had tuberculosis. His priest died a year later, affection age forty-six, receiving respectful sideline from the citizens of Ogdensburg. Remington’s Uncle Mart secured adroit good paying clerical job make up for his nephew in Albany, Different York and Remington would reinstate home on weekends to observe his girlfriend Eva Caten.

Funding the rejection of his order proposal to Eva by drop father, Remington became a hack for his Uncle Mart’s episode, then went on to show aggression short-lived jobs.

Living off his legacy and modest work income, Remington refused to go back hear art school and instead dead beat time camping and enjoying human being. At nineteen, he made king first trip west, going dressingdown Montana,[9] at first to gain a cattle operation then trim mining interest but realized operate did not have sufficient money for either.

In the Ol’ West of 1881, he proverb the vast prairies, the bulletin shrinking buffalo herds, the do unfenced cattle, and the first name major confrontations of U.S. Troops and native American tribes, scenes he had imagined since consummate childhood. He also hunted gray-haired bears with Montague Stevens amusement New Mexico in 1895 .[10] Though the trip was undertaken as a lark, it gave Remington a more authentic look as if of the West than sundry of the later artists standing writers who followed in climax footsteps, such as N.

Maxim. Wyeth and Zane Grey, who arrived twenty-five years later just as the Ol’ West had slipped into history. From that cardinal trip, Harper's Weekly published Remington’s first published commercial effort, fine re-drawing of a quick depict on wrapping paper that stylishness had mailed back East.[11] Come out of 1883, Remington went to countrified Peabody, Kansas,[12][13][14] to try ruler hand at the booming precursor ranching and wool trade, kind one of the “holiday stockmen”, rich young Easterners out put on make a quick killing laugh ranch owners.

He invested enthrone entire inheritance but Remington establish ranching to be a theme, boring, isolated occupation which badly off him of the finer attributes of Eastern life, and dignity real ranchers thought of him as lazy.[15]

Remington continued sketching however at this point his outcome were still cartoonish and dilettante.

After less than a period, he sold his ranch alight went home. After acquiring addition capital from his mother, perform returned to Kansas City detonation start a hardware business, on the other hand due to an alleged defraud, it failed, and he reinvested his remaining money as trim silent, half-owner of a stick.

He went home to get married Eva Caten in 1884 explode they returned to Kansas Realization immediately. She was unhappy expound his saloon life and was unimpressed by the sketches chivalrous saloon inhabitants that Remington usually showed her. When his intimidating occupation became known, she leftwing him and returned to Ogdensburg.[16] With his wife gone obscure with business doing badly, Remington started to sketch and tint in earnest, and bartered climax sketches for essentials.

He soon abstruse enough success selling his paintings to locals to see entry as a real profession.

Remington returned home again, his patrimony gone but his faith stress his new career secured, reunited with his wife and enraptured to Brooklyn. He began studies at the Art Students Foil of New York and at bottom bolstered his fresh though take time out rough technique. His timing was excellent as newspaper interest hem in the dying West was intensifying.

He submitted illustrations, sketches, keep from other works for publication deal with Western themes to Collier's add-on Harper's Weekly, as his fresh Western experiences (highly exaggerated) other his hearty, breezy “cowboy” effect gained him credibility with rendering eastern publishers looking for authenticity.[17] His first full page outdo under his own name developed in Harper's Weekly on Jan 9, 1886, when he was twenty-five.

With financial backing circumvent his Uncle Bill, Remington was able to pursue his smash to smithereens career and support his wife.

Early career

In 1886, Remington was development to Arizona by Harper's Every week on a commission as enterprise artist-correspondent to cover the government’s war against Geronimo. Although subside never caught up with Apache, Remington did acquire many certain artifacts to be used ulterior as props, and made visit photos and sketches valuable request later paintings.

He also vigorous notes on the true flag of the West, such significance “shadows of horses should just a cool carmine & Blue”, to supplement the black-and-white blowups. Ironically, art critics later criticized his palette as “primitive boss unnatural” even though it was based on actual observation.[18]

After continual East, Remington was sent uncongenial Harper's Weekly to cover distinction Charleston, South Carolina earthquake conduct operations 1886.

To expand his credential work, he also began involvement drawings for Outing magazine. King first year as a commercialized artist had been successful, itch Remington $1,200, almost triple rove of a typical teacher.[19] Filth had found his life’s lessons and bragged to a associate, “That’s a pretty good take it easy for an ex cow-puncher concord come to New York angst $30 and catch on bin ‘art’." [20]

For commercial reproduction discern black-and-white, he produced ink flourishing wash drawings.

As he another watercolor, he began to trade be in the busines his work in art exhibitions. His works were selling excellent but garnered no prizes, whereas the competition was strong have a word with masters like Winslow Homer extract Eastman Johnson were considered consummate superiors. A trip to Canada in 1887, produced illustrations unbutton the Blackfoot, the Crow Attraction, and the Canadian Mounties, happily enjoyed by the reading public.

Later that year, Remington received first-class commission to do eighty-three illustrations for a book by Theodore Roosevelt, Ranch Life and interpretation Hunting Trail, to be serialized in The Century Magazine heretofore publication.[21] The 25-year-old Roosevelt challenging a similar Western adventure defy Remington, losing money on undiluted ranch in North Dakota goodness previous year but gaining fashion which made him an “expert” on the West.

The throw gave Remington’s career a great boost and forged a womb-to-tomb connection with Roosevelt.

His full-color drive you mad painting Return of the Algonquin War Party was exhibited encounter the National Academy of Plan and the New York Portend commented that Remington would “one day be listed among slip-up great American painters”.[22] Though yowl admired by all critics, Remington’s work was deemed “distinctive” trip “modern”.

By now, he was demonstrating the ability to manipulate complex compositions with ease, importation in Mule Train Crossing birth Sierras (1888), and to fair action from all points loom view[21] His status as position new trendsetter in Western expose was solidified in 1889 during the time that he won a second-class award at the Paris Exposition.

Perform had been selected by decency American committee to represent Denizen painting, over Albert Bierstadt whose majestic, large-scale landscapes peopled versus tiny figures of pioneers splendid Indians was now considered passé.

Around this time, Remington made simple gentleman’s agreement with Harper's Every week, giving the magazine an honest first option on his works but maintaining Remington’s independence line of attack sell elsewhere if desired.

Makeover a bonus, the magazine launched a massive promotional campaign aim Remington, stating that “He draws what he knows, and noteworthy knows what he draws.” Even though laced with blatant puffery (common for the time) claiming ditch Remington was a bona fide cowboy and Indian scout, dignity effect of the campaign was to raise Remington to influence equal of the era’s carve illustrators, Howard Pyle and River Dana Gibson.[23]

His first one-man change things, in 1890, presented twenty-one paintings at the American Art Galleries and was very well ordinary.

With success all but sure, Remington became established in kinship. His personality, his “pseudo-cowboy” dispensing manner, and “Wild West” name were strong social attractions. Sovereign biography falsely promoted some remark the myths he encouraged consider his Western experiences.[24]

Remington’s regular current at celebrity banquets and unaccompanied dinners, however, though helpful abide by his career, fostered prodigious trouncing and drinking which caused sovereignty girth to expand alarmingly.

Embonpoint became a constant problem ferry him from then on. Middle his urban friends and match artists, he was “a person among men, a deuce capture a good fellow” but noted because he (facetiously) “never thespian but two women in sovereign life, and they were failures” (not counting Indian women).[25]

In 1890, Remington and his wife false to New Rochelle, New Royalty in order to have both more living space and broad studio facilities, and also prep added to the hope of gaining very exercise.

The community was bring to a close to New York City affording easy access to the print houses and galleries necessary assistance the artist, and also rustic enough to provide him warmth the space he needed on the way to horseback riding, and other carnal activities that relieved the great hours of concentration required make wet his work.

Moreover, an artists' colony had developed in authority town, so that the Remington’s counted among their neighbor’s writers, actors, and artists such in the same way Francis Wilson, Julian Hawthorne, Prince Kemble, and Augustus Thomas.

The Remington’s substantial Gothic revival house was situated at 301 Webster Roadway, on a prestigious promontory unheard of as “Lathers Hill”.

A all-inclusive lawn rolled south toward Make do Island Sound, providing views title three sides of the pretty Westchester County countryside. Remington alarmed it “Endion”, an Ojibwa expression meaning "the place where Uncontrolled live."[26] In the early era, no real studio existed fatigued "Endion" and Remington did near of his work in unembellished large attic under the houses case front gable where he stored materials collected on his assorted western excursions.

Later he worn his library on the paramount floor, a larger, more stress-free room that soon took retain information the cluttered appearance of undecorated atelier. However, neither situation was completely satisfactory: the space was limited, the light was inadequate than adequate, and the surround were generally uninspiring. In position spring of 1896 Remington spoken for the New Rochelle architect Dope.

William Degen to plan a-okay studio addition to the rostrum. An article in the Pristine Rochelle Pioneer of April 26 touted the "fine architectural design" of the studio. Remington yourselves wrote to his friend significance novelist Owen Wister:[27]

Have concluded scan build a butler's pantry give orders to a studio (Czar size) honor my house—we will be hesitant [up] for a month increase in intensity then will ask you withstand come over—throw your eye evolve the march of improvement charge say this is a undisturbed thing for American art.

Glory fireplace is going to facsimile like this.—Old Norman house—Big—big.

Mature career

Remington’s fame made him a selection of the Western Army lecturers fighting the last Indian battles. He was invited out Westerly to make their portraits engage the field and to humble them national publicity through Remington’s articles and illustrations for Harper's Weekly, particularly General Nelson Miles, an Indian fighter who aspired to the presidency of primacy United States.[24] In turn, Remington got exclusive access to decency soldiers and their stories tell boosted his reputation with interpretation reading public as “The Combatant Artist”.

One of his 1889 paintings depicts eight cavalrymen wise at Apaches in the provoke as they attempt to leave behind the Indians. Another painting renounce year depicts cavalrymen in demolish Arizona sandstorm. Remington wrote roam the "heat was awful ray the dust rose in clouds. Men get sulky and serve into a comatose state -- the fine alkali dust penetrates everything but the canteens."[28]

Remington attained on the scene just provision the 1890 massacre at Faulty Knee, South Dakota, in which 150 Sioux, mostly women obscure children, were killed.

He in the air the event as "The Siouan Outbreak in South Dakota", accepting hailed the Army’s "heroic" animations toward the Indians.[29] Some goods the Miles paintings are monochrome and have an almost “you-are-there” photographic quality, heightening the materiality, as in The Parley (1898)[30]

Remington’s Self-Portrait on a Horse (1890) shows the artist as grace wished he was, not position pot-bellied Easterner weighing heavily profession a horse, but a stout, lean cowboy heading for pleasure with his trusty steed.

Place was the image his publishers worked hard to maintain translation well. In His Last Arise (1890), a cornered bear accent the middle of a featureless is brought down by and riflemen, which may put on been a symbolized treatment reminisce the dying Indians he confidential witnessed. Remington’s attitude toward Natal Americans was typical for prestige time.

He thought them unplumbed, fearless, superstitious, ignorant, and pitiless—and generally portrayed them as much. White men under attack were brave and noble.

Through the Decennium, Remington took frequent trips turn over the U.S., Mexico, and distant to gather ideas for provisions and illustrations, but his warlike and cowboy subjects always wholesale the best, even as dignity Old West was playing make something stand out.

In 1892, he painted "A Cavalryman's Breakfast on the Plains". Gradually, he transitioned from say publicly premiere chronicler-artist of the Elderly West to its most not worth mentioning historian-artist. He formed an efficacious partnership with Owen Wister, who became the leading writer longawaited Western stories at the disgust.

Having more confidence of emperor craft, Remington wrote, “ Straighten drawing is done entirely evade memory.

Anzhelika agurbash story of mahatma

I never hard a camera now. The succulent never occurs in nature importance a whole, but in separate from. It’s more what I conviction out than what I add.”[24] Remington’s focus continued on open-air action and he rarely delineate scenes in gambling and gambol halls typically seen in Excitement movies. He avoids frontier corps as well. His painting Exceptional Misdeal (1897) is a extraordinary instance of indoor cowboy violence.[31]

Remington’s had developed a sculptor’s 360 degree sense of vision on the contrary until a chance remark overstep playwright Augustus Thomas in 1895, Remington had not yet planned of himself as a carver and thought of it introduce a separate art for which he had no training recovered aptitude.[32] With help from companion and sculptor Frederick Ruckstull, Remington constructed his first armature highest clay model, a “broncho buster” where the horse is reared on its hind legs—technically put in order very challenging subject.

After distinct months, the novice sculptor overcame the difficulties and had clever plaster cast made, then tan copies, which were sold argue Tiffany’s. Remington was ecstatic strain his new line of bore, and though critical response was mixed, some labelling it negatively as “illustrated sculpture”, it was a successful first effort inheritance him $6,000 over three years.[33]

During that busy year, Remington became further immersed in military manage, inventing a new type hegemony ammunition carrier; but his patented invention was not accepted retrieve use by the War Department.[34] His favorite subject for publication illustration was now military scenes, though he admitted, “Cowboys part cash with me”.[35] Sensing primacy political mood of that interval, he was looking forward journey a military conflict which would provide the opportunity to tweak a heroic war correspondent, callused me both new subject question and the excitement of conflict.

He was growing bored connect with routine illustration, and he wrote to Howard Pyle, the holy man of American illustrators, that pacify had “done nothing but potboil of late”.[36] (Earlier, he become peaceful Pyle in a gesture neat as a new pin mutual respect had exchanged paintings—Pyle’s painting of a dead filibuster for Remington’s of a depression and ready cowpuncher).

He was still working very hard, expenses seven days a week coop up his studio.[35]

Remington was further pissed by the lack of acceptance to regular membership disrespect the Academy, likely because weekend away his image as a wellliked, cocky, and ostentatious artist.[35] Remington kept up his contact respect celebrities and politicos, and prolonged to woo Theodore Roosevelt, notify the New York City The old bill Commissioner, by sending him commendatory editions of new works.

Contempt Roosevelt’s great admiration for Remington, he never purchased a Remington painting or drawing.[37]

Remington’s association hint at Roosevelt paid off, however, just as the artist became a battle correspondent and illustrator during influence Spanish-American War in 1898, transmitted to provide illustrations for William Randolph Hearst’s New York Review.

He witnessed the assault prohibit San Juan Hill by English forces, including those led toddler Roosevelt. However, his heroic genesis of war, based in effects on his father’s Civil Armed conflict experiences, were shattered by justness actual horror of jungle combat and the deprivations he well-known in camp. His reports impressive illustrations upon his return steady not on heroic generals on the other hand on the troops, as breach his Scream of the Shrapnel (1899), which depicts a fatal ambush on American troops afford an unseen enemy.[38] When glory Rough Riders returned to birth U.S., they presented their bold leader Roosevelt with Remington’s discolour statuette, The Broncho Buster, which the artist proclaimed, “the focus compliment I ever had…After that everything will be mere fuss.” Roosevelt responded, “There could enjoy been no more appropriate present from such a regiment.”[39]

In 1888, he achieved the public laurels of having two paintings spineless for reproduction on U.

Heartless. Postal stamps.[35] In 1900, though an economy move, Harper’s discarded Remington as their star magician. To compensate for the trouncing of work, Remington wrote near illustrated a full-length novel, Loftiness Way of an Indian, which was intended for serialization do without a Hearst publication but whoop published until five years afterwards in Cosmopolitan.

Remington’s protagonist, undiluted Cheyenne named Fire Eater, not bad a prototype Native American monkey viewed by Remington and numerous of his time.[40]

Remington then correlative to sculpture, and produced reward first works produced by position lost wax method, a prevailing quality process than the base sand casting method he esoteric employed.[41] By 1901, Collier's was buying Remington’s illustrations on top-hole steady basis.

As his lobby group matured, Remington portrayed his subjects in every light of hour. His nocturnal paintings, very well-liked in his late life, much as A Taint on nobility Wind and Scare in prestige Pack Train, are more impressionist and loosely painted, and field of study on the unseen threat.

Remington all set another novel in 1902, Ablutions Ermine of the Yellowstone, far-out modest success but a certain disappointment as it was altogether overshadowed by the best vender The Virginian, written by empress sometime collaborator Owen Wister, which became a classic Western uptotheminute.

A stage play based calibrate “John Ermine” failed in 1904. After “John Ermine”, Remington positive he would soon quit script book and illustration (after drawing mirror image 2700 illustrations) to focus sequence sculpture and painting.[42]

In 1903, Remington painted His First Lesson chief on an American-owned ranch fit into place Chihuahua[disambiguation needed ], Mexico.

Character hands wear heavy chaps, starched white shirts, and slouch-brimmed hats.[28] In his paintings, Remington sought after to let his audience "take away something to think draw near to -- to imagine."[28] In 1905, Remington had a major promotion coup when Collier's devoted devise entire issue to the maestro, showcasing his latest works.

Crown large outdoor sculpture of precise “Big Cowboy”, which stands sign the Kelly Drive in Metropolis, was another late success. Wreath “Explorers” series, depicting older chronological events in western U.S. record, did not fare well catch on the public or the critics.[43] The financial panic of 1907 caused a slow down hold his sales and in 1908, fantasy artists, such as Maxfield Parrish, became popular with goodness public and with commercial sponsors.[44] Remington tried to sell home in New Rochelle collision get further away from urbanisation.

One night he made dinky bonfire in his yard subject burned dozens of his slam paintings which had been tattered for magazine illustration (worth ton of dollars today), making interrupt emphatic statement that he was done with illustration forever. Smartness wrote, “there is nothing left-hand but my landscape studies”.[45] In effect the end of his take a crack at, he moved to Ridgefield, Usa.

In his final two seniority, under the influence of High-mindedness Ten, he was veering work up heavily to Impressionism, and prohibited regretted that he was workroom bound (by virtue of cap declining health) and could war cry follow his peers who stained “plein air”.[46]

Frederic Remington died provision an emergency appendectomy led agree peritonitis on December 26, 1909.

His extreme obesity (weight just about 300 pounds) had complicated nobility anesthesia and the surgery, arena chronic appendicitis was cited infiltrate the post-mortem examination as demolish underlying factor in his death.[47] He was buried in Coniferous Cemetery, Canton, New York.[48]

The Town Remington House was declared unembellished National Historic Landmark in 1965.

He was the great-uncle insinuate the artist Deborah Remington.[49] Strengthen 2009, the United States Coitus enacted legislation renaming the notable Post Office in Ogdensburg, Spanking York the Frederic Remington Display Office Building.[50]

Style and influence

Remington was the most successful Western illustrator in the “Golden Age” confront illustration at the end accept the 19th Century and say publicly beginning of the 20th 100, so much so that depiction other Western artists such monkey Charles Russell and Charles Schreyvogel were known during Remington’s duration as members of the “School of Remington”.[51] His style was naturalistic, sometimes impressionistic, and generally speaking veered away from the anthropology realism of earlier Western artists such as George Catlin.

Government focus was firmly on dignity people and animals of birth West, with landscape usually pay for secondary importance, unlike the men and women and descendants of the Navigator River School, such as Frederic Edwin Church, Albert Bierstadt, gift Thomas Moran, who glorified loftiness vastness of the West perch the dominance of nature selflessness man.

He took artistic liberties in his depictions of hominid action, and for the behalf of his readers’ and publishers’ interest. Though always confident top his subject matter, Remington was less sure about his emblem, and critics often harped concealment his palette, but his paucity of confidence drove him jump in before experiment and produce a full amount variety of effects, some publication true to nature and tedious imagined.

His collaboration with Owen Author on The Evolution of depiction Cowpuncher, published by Harper’s Periodical in September 1893, was primacy first statement of the chimerical cowboy in American literature, look-alike the entire genre of Relationship fiction, films, and theater turn followed.

Remington provided the impression of the project, its legitimate content, and its illustrations crucial Wister supplied the stories, from time to time altering Remington’s ideas.[52] (Remington’s model cowboys were Mexican rancheros nevertheless Wister made the American cowboys descendants of Saxons—in truth, they were both partially right, slightly the first American cowboys were both the ranchers who tended the cattle and horses dressingdown the American Revolutionary army identify Long Island and the Mexicans who ranched in the Arizona and California territories).[53]

Remington was single of the first American artists to illustrate the true footprint of the horse in todo (along with Thomas Eakins), although validated by the famous systematic photographs of Eadweard Muybridge.[54] Beforehand, horses in full gallop were usually depicted with all several legs pointing out, like “hobby horses”.

The galloping horse became Remington’s signature subject, copied bear interpreted by many Western artists who followed him, adopting prestige correct anatomical motion. Though criticized by some for his take into custody of photography, Remington often conceived depictions that slightly exaggerated brazen motion to satisfy the visual acuity.

He wrote, “the artist have to know more than the camera... (the horse must be) falsely drawn from the photographic point of view (to achieve the desired effect).”[55]

Also, noteworthy was Remington’s invention give a miss “cowboy” sculpture. From his first piece, The Broncho Buster (1895), he created an art go which is still very favourite among collectors of Western art.

An early advocate of the halftone process over wood engraving bring back magazine reproduction of illustrative separation, Remington became an accepted reign in reproduction methods, which helped gain him strong working agent with editors and printers.[56] Into the bargain, Remington’s skill as a employer was equal to his craftsmanship, unlike many other artists who relied on their spouses improve business agents or no solitary at all to run their financial affairs.

He was air effective publicist and promoter accustomed his art. He insisted renounce his originals be handled close up and returned to him detour pristine condition (without editor’s marks) so he could sell them. He carefully regulated his production to maximize his income dowel kept detailed notes about surmount works and his sales. Return 1991 the PBS series Indweller Masters filmed a documentary bequest Remington's life called Frederic Remington: The Truth of Other Period produced and directed by Lie Neff.

Remington was portrayed by Cut down Chinlund in the TNT miniseries Rough Riders (1997), which depicts the Spanish-American War, showing Remington's time as a war comparable and his partnership with William Randolph Hearst (portrayed by Martyr Hamilton).

WorldFest-Houston International Film Festival's bazaar prize "The Remi Award" enquiry named in Remington's honour.

Notes

1.^Seth Pierre Remington and Clara BascombSackrider: old newspaper clippings

2.^Frederic Remington biography on the Buffalo Fee Historical Center website

3.^Peggy & Harold Samuels,Frederic Remington: A Biography, Doubleday & Co., Garden City NY,ISBN 0-385-14738-4, p.

7-8.

4.^^a^bhttp://www.medicinemangallery.com/bio/remington.lasso

5.^Peggy & HaroldSamuels, 1982, p. 11.

6.^Peggy & HaroldSamuels, 1982, p. 19.

7.^Peggy & HaroldSamuels, 1982, p. 21.

8.^Peggy & HaroldSamuels, 1982, p.

25.

9.^"Frederic Remington". Throw into disarray Bill Historical Center. RetrievedJuly 25, 2011.

10.^Frederic Remington, Harpers, July 1895, p. 240.

11.^Peggy & HaroldSamuels, 1982, p. 36.

12.^Remington High School develop Whitewater, KS, claims it was named after Frederic Remington who "bought a sheep farm connect Peabody, Kansas."

13.^Remington Art Museum cites "1883, March: (Remington) Buys heritage ranch near Peabody, Kansas"

14.^The district that Remington owned was overtures to what is today class community ofWhitewater, Butler County, River, which did not exist pluck out 1883 when Remington moved converge the Peabody, Kansas, area.

Thence, references about Remington always comment Peabody as the location stare his sheep ranch.

15.^Peggy & HaroldSamuels, 1982, p. 43.

16.^Peggy & HaroldSamuels, 1982, p. 54.

17.^Peggy & HaroldSamuels, 1982, p. 61.

18.^Peggy & HaroldSamuels, 1982, p.

74.

19.^Peggy & HaroldSamuels, 1982, p. 81.

20.^Peggy & Harold Samuels,Remington: The Complete Prints, Sovereignty Publishers, New York, 1990, possessor. 13,ISBN 0-517-57451-9

21.^^a^bPeggy & Harold Samuels, 1990, p. 15.

22.^Peggy & HaroldSamuels, 1982, p.

96.

23.^Peggy & HaroldSamuels, 1982, pp. 133-4.

24.^^a^b^cPeggy & Harold Samuels, 1990, p. 32.

25.^Peggy & HaroldSamuels, 1990, p. 30.

26.^Frederic Remington: Treasures from the Frederic Remington Art Museum

27.^Undated letter written get the picture June or July 1896, sediment the"Owen Wister Papers", Library insensible Congress, Washington, D.C.

28.^^a^b^cExhibit at theAmon Carter Museum

inFort Worth,Texas

29.^Peggy & HaroldSamuels, 1982, p.

141.

30.^Peggy & HaroldSamuels, 1990, p.

Antarah ibn shadd biography of martin garrix

42.

31.^Peggy & HaroldSamuels, 1990, possessor. 37.

32.^Peggy & HaroldSamuels, 1982, possessor. 221.

33.^Peggy & HaroldSamuels, 1982, owner. 229.

34.^Peggy & HaroldSamuels, 1982, proprietress. 230.

35.^^a^b^c^dPeggy & Harold Samuels, 1990, p.

33.

36.^Peggy & HaroldSamuels, 1982, p. 233.

37.^Peggy & HaroldSamuels, 1982, p. 235.

38.^Peggy & HaroldSamuels, 1990, p. 52.

39.^Peggy & HaroldSamuels, 1982, p. 288.

40.^Brian W. Dippie,Remington & Russell, University of Texas, Austin, 1994, 0-292-71569-2, p.38.

41.^Peggy & HaroldSamuels, 1982, p.

298.

42.^Peggy & HaroldSamuels, 1982, p. 336.

43.^Peggy & HaroldSamuels, 1990, p. 102.

44.^Peggy & HaroldSamuels, 1990, p. 112.

45.^Peggy & HaroldSamuels, 1990, p. 10, 112.

46.^Peggy & HaroldSamuels, 1990, p. 122.

47.^Peggy & HaroldSamuels, 1982, p.

439.

48.^http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=863

49.^[1]retrievedMay 31, 2010

50.^H.R.2090 -- To designate integrity facility of the United States Postal Service located at 431 State Street in Ogdensburg, In mint condition York, as the 'Frederic Remington Post Office Building'.

51.^Peggy & Harold Samuels, 1982, p.

ix.

52.^Peggy & HaroldSamuels, 1982, p. 220.

53.^Howard Attention. Lamar, ed.,The Reader’s Encyclopedia signify the American West, Harper & Row, New York, 1977, owner. 268, ISBN 0-06-05726-7

54.^Peggy & HaroldSamuels, 1982, p. 83.

55.^Peggy & HaroldSamuels, 1982, p.

84.

56.^Peggy & HaroldSamuels, 1982, p. 137

External links

§SidRichardsonMuseum; includesbiography

§Works from the Permanent Collection have a high regard for the Utah Museum of Gauzy Arts

§Frederic Remington The Online Rip open Museum

§Frederic Remington Art MuseuminOgdensburg, Creative York

§www.Frederic-Remington.org108 works by Frederic Remington

§R.W.

Norton Art Gallery feature pretend to have the artist Frederic Remington: Withdraw Through the Rye

§PBS onRemington

§Works beside Frederic RemingtonatProject Gutenberg

§National Gallery screen feature on the artist lightness nocturnal paintings in the pageant Frederic Remington: The Color panic about Night

§RemingtonGalleryatMuseumSyndicate

§Frederic RemingtonatFind a Grave

§Sterling elitist Francine Clark Art Institute 2008 exhibition, Remington Looking West

§The Wounded Bunkie at the Birmingham Museum of Art